The Secret of Getting to the End
Here’s the big secret: Write
a story you want to finish and decide to finish it. End of blog.
Yeah, yeah; of course
that’s not the end of the blog. Because it’s really not that simple, is it? What
happens when you hit a wall? You have to figure out how to break through it.
Problem: You’re Bored
If you’re bored with your
character or plot, your reader probably will be, too. You know what bores you?
Boring things. Duh, right?
I don't know about you, but I'd find something else to do, too. |
So what do you do when
you’re bored? First you complain to your mom. Then she tells you she bets that
cleaning a toilet would solve that problem real quick. Then you go and find
something to make you unbored, because you definitely don’t want to clean the
toilet.
So when you’re bored with
your characters, find something to make them un-boring.
- Give a character an obsession or an interest. Make it something that seems, on the surface, out of character. How does that change how she behaves?
- Change a relationship. Maybe your characters are bored with each other. Maybe they need to break up or betray someone or reveal a secret.
- Change what happened last. If your protagonist succeeded at something, have her fail—or vice versa.
- Introduce danger. Maybe your characters are too safe. Hurt or threaten them. If something bad has already happened, make it worse.
- Get rid of what bores you. Go back to the last point in the story that excited you. Read forward, find that spot where you start to get bored and make something bad happen.
- Change something elemental. Maybe Brunhilda isn’t the right name for your character. Maybe Marcy is better. Or Skydancer. Maybe she doesn’t live in a faceless suburb but in a downtown building that’s about to be knocked down.
Skydancer is too happy. She needs to live here. |
Problem: You Don’t Know What Happens Next
Everything’s going along swimmingly, but you suddenly realize
you have no idea what’s going to happen next. You can use any of the tactics above
to introduce complications, but you can also try something more structural.
- Skip ahead. If you know what happens further in the plot, go ahead and write that. Maybe that will help you figure out how to get there, or maybe it will just help you bury your head in the sand until later. (Warning: This is an editing-heavy approach.
- Trash your last scene. Even if it was working for you, temporarily discard the last scene you wrote, go back to the scene before it and head in a totally different direction.
- Go back to the beginning. Do you have enough conflict and characters for the long haul? Increase the stakes or add new characters who can cause trouble.
- Write from the end. If you know how everything ends up, start there and work your way backward.
Problem: You’ve Lost Heart
See, isn't outside better? |
By getting outside of your
story, I mean explore the world of your story in a way that doesn’t directly
add to word count:
- Make a scrapbook. Go online and collect pictures that look like characters, locations or things in your story. Find your protagonist’s favorite hat or a special piece of jewelry. Immerse yourself in the physical details of your story’s world.
- Create a soundtrack. Find a song or put together a whole playlist of songs that reminds you of your story in some way. Listen to it over and over until you get into the mood.
- Write an unseen scene. Write something outside the scope of your story: a scene from another character’s point of view; a letter from one character to another; a poem about or by one of your characters.
Cranky Rah likes the new flat white from Starbuck's. Decaf, because she's kinda...jumpy. |
Let It Go…Let It Go…
What if, despite
everything you’ve tried, nothing you do brings your story back to life? First,
just take a break. Work on something else for a while, then come back to your
story in a couple of weeks and look at it with fresh eyes. If even that doesn’t
leave you feeling like Dr. Frankenstein—“It’s alive! It’s alive!”—then it’s
probably time to let it go.
It happens to the best of
us, but don’t let it get you down. Everything you write, even the things you
don’t finish—sometimes especially the things you don’t finish—make you a
stronger writer. Just keep at it, and keep everything you write. Old writing is
great for two things: proof that you’re getting better—and a good laugh right
when you need one.
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